Aditya Bayu Perdana, Patra Aditia
Rp 130.000
Kode : B240030.01
Penerbit : Tel-U Press
Tahun Terbit : 2023
Bahasa : Indonesia
ISBN / ISSN : 978-623-6484-44-9
The fields of art and science have different ways of generating knowledge that humans use to navigate life and society. Art interprets reality by merging with the personal side, while science tries to differentiate the subject from the phenomenon being studied. Despite their attempts to intersect, art and science are often viewed as dichotomies, with art being subjective and science being objective. This tension between art and science continues, even within academic circles. As a result, artmaking has traditionally not been seen as a valid source of knowledge due to its fluid methodologies and dynamics. Additionally, artists who work within academia are frequently compelled to conform to traditional academic culture. Despite the significant contributions of science to society, the dominance of the positivist tradition remains strong.
Within this context, the idea of focusing on the artist-as-researcher emerged. This initiative proposes that artistic practice, when used as a research method, is a valid source of knowledge that can broaden the restrictive nature of the positivist perspective. Essentially, the artist-as-researcher acts as a bridge between subjective individual qualities and objective research methodology. However, the scientific community often dismisses and doubts these proposals. Despite this, the goal of exploring the untapped potential of art as a source of knowledge remains. These objectives precede the initiative to organize this exhibition, exploring various alternative attempts to extract and mediate knowledge and facing the challenges that would later emerge.
Martiyadi Nurhidayat
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Achmad Zaki Yamani
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